I wish the ape a lot of success.
Stereo Sisterhood / Blog Graveyard:
- After The Sabbath (R.I.P?) ; All Ages ; Another Nickel (R.I.P.) ; Bachelor ; BangtheBore ; Beard (R.I.P.) ; Beyond The Implode (R.I.P.) ; Black Editions ; Black Time ; Blue Moment ; Bull ; Cocaine & Rhinestones ; Dancing ; DCB (R.I.P.) ; Did Not Chart ; Diskant (R.I.P.) ; DIYSFL ; Dreaming (R.I.P.?) ; Dusted in Exile ; Echoes & Dust ; Every GBV LP ; Flux ; Free ; Freq ; F-in' Record Reviews ; Garage Hangover ; Gramophone ; Grant ; Head Heritage ; Heathen Disco/Doug Mosurock ; Jonathan ; KBD ; Kulkarni ; Landline/Jay Babcock ; Lexicon Devil ; Lost Prom (R.I.P.?) ; LPCoverLover ; Midnight Mines ; Musique Machine ; Mutant Sounds (R.I.P.?) ; Nick Thunk :( ; Norman ; Peel ; Perfect Sound Forever ; Quietus ; Science ; Teleport City ; Terminal Escape ; Terrascope ; Tome ; Transistors ; Ubu ; Upset ; Vibes ; WFMU (R.I.P.) ; XRRF (occasionally resurrected). [If you know of any good rock-write still online, pls let me know.]
Other Place. // One Band. // Another Band. // Spooky Sounds. // MIXES. // Thanks for reading.
Monday, February 02, 2015
2014: Mopping Up.
I know it is obscenely late to still be harping on about the events of 2014 (I mean, all music that happened before 31st December DIES on January 5the each year, every music-blog reader/writer knows that), but January was such a slog I literally haven’t had a chance to finish the few meagre paragraphs that comprise this post, that I was meaning to post just after completing the ‘records of the year’ run-down last month.
Before getting my shit together to move on to some actual 2015 listening then (to be honest, I usually find myself just listening to compilations and old records for the first grim few months of each year these days), time to finally close the bloody curtain on ’14 with some quick round-ups of other music stuff that pleased me during the year.
1. Live.
Amid a pretty wide variety of truly great live music I witnessed last year, the couple that stand out most strongly in my mind (not including the gig I attended in Japan, various performances by friends’ bands, my band’s own little tour etc), were, perhaps significantly, those relating to the Southern US garage-punk scene – a keen remember that those guys, collectively speaking, can still be untouchable in terms of live rock n’ roll, even they’ve arguably been slacking off a little on the “making awesome records” front in recent years.
#1 gig of 2014 then, to my surprise as much as anyone’s, was Jack Oblivian playing backed up by Memphis band The Sheiks, in a spacious and sparsely-attended Bethnal Green Working Men’s Club on an inauspicious Sunday night. What can I tell you – the group were, as the phrase goes, ‘cooking’, all ragged and good-humoured after a grueling European tour, and when they finished their allotted set and no curfew was called, they continued cooking, eventually playing for something like two hours, as the remaining attendees, last train home long abandoned, danced on past midnight. And when I say ‘danced’, I don’t mean “moshed” or "threw themselves about like drunken monkeys", I mean the people were actually dancing, to live rock n’ roll played by a well-lubricated band with a bag full of half-remembered r’n’b covers and very little idea what they’re gonna do next. If only that could happen every weekend. A really special evening.
Nearly as good were Tennessee band Natural Child, playing at the functional but always slightly dispiriting Shacklewell Arms. To keep it brief, going to this gig wasn’t my call, and I found myself feeling rather suspicious of the crowd, suspicious of the support acts, suspicious of the general vibe, suspicious of what I knew of the headliners via some quick googling. Then Natural Child walked on-stage and within ten seconds I was comfortable as a baby with a fresh bottle. What a fucking great band. If you follow my path of googling, you may find yourself unconvinced by copious weed-championing, dirty joke lyrics, some of the worst record covers of all time and a new album that sounds a little bit too much like The Eagles for comfort, but believe me – see ’em live and it will all make sense. These guys play like they were born with rock n’ roll in their bones – zero pretense, a warm, welcoming groove and a wicked good sense of humour too. Heroes to a man. (Intermittent testament to this greatness can found on their ‘1971’ LP from a couple of years back.)
Third best night out of the year was Shonen Knife, playing a short notice end-of-tour set at Café Oto. I’ve seen Shonen Knife quite a few times over the years, but this was by far the best. With the small venue, party atmos and fans-only crowd, the band seemed really comfortable, and happy to play whatever songs they felt like playing, dragging out some deep cuts and album tracks rather than relying on the same old fan favourites. The current line-up play magnificently, belting it out with the kind of world-beating, hyper-efficient positivity that does the stereotypical view of their country proud, and being able to stand right in front of them as they did so was a joy. The unusually varied set-list made for a great showcase of the strength & breadth of Naoko’s song-writing over the years, and anyone who has (perhaps understandably) written them off as a novelty cakes n’ kittens twee band really needs to check their head and hope they one day catch a set as good as this one.
Fourth best gig of the year was finally seeing Bong, playing at… what’s the name of that goth/metal pub, on a side street by Camden station..? I’ve forgotten. Seemed like a thoroughly decent place to watch bands and drink beer, anyway. I had taken some out some money with the expectation of buying a pile of obscure merch from the band, but as said merch was not forthcoming, there was only one solution: a quadruple whisky to sip as I stood front of the stage watching the band set up, and things went just swimmingly. Having built these guys up to the level of galaxy-bestriding gods in my mind, it was quite humbling to just see some young-ish, soft-spoken blokes from Newcastle quietly setting up their not-quite-as-elaborate-as-you-might-expect gear, but when they finally began…. the even-more-colossally-world-destroying-than-you-might-imagine maelstrom did the business. (Said business being an out-of-body noise-worshipping nirvana that no mere blended whisky could account for.)
Fifth and sixth best gigs of the year were the Static Shock events I wrote about here, with particular reference to the mighty Rakta (sorry – channelling Mary Anne Hobbs a bit there), and coming in at seven is the Makoto Kawabata & J. Francois Pauvros set I wrote about here. Catching Pelt in St Pancras Old Church a few months back made for an oft-challenging but ultimately rewarding number eight, pushing perennial number # 1 live act Chain & The Gang into a shocking NINTH place, even in view of them playing on the same bill as Comet Gain. Tenth? I dunno, my memory is all out at this point, but I’ve probably forgotten at least a few great things, so if you went to something unspeakably awesome and saw me there standing watching it, maybe write it in this space: _________________.
2. Comps & Reissues.
Here is a list of my eleven favourite reissues and compilations of old music from 2014. Really top year for this kinda stuff, and sadly I didn’t have the times or funds to check out even a fraction of the releases I would have liked to. I wish I’d found the time to write about all of the records below, because they are awesome, but those I did manage to squeeze out some words on are duly linked.
1. Bruno Nicolai - All The Colours of the Dark OST (Finders Keepers)
2. The Space Lady’s Greatest Hits (Night School)
3. Wayfaring Stranger: Darkscorch Canticles (Numero Group)
4. Crime – Murder by Guitar (Superior Viaduct)
5. Phil Upchurch – The Big Hit Dances (Righteous)
6. Francois Tusques - Le Reine Des Vampires 1967 (Finders Keepers)
7. The Fates – Furia (Finders Keepers)
8. Who is William Onyeabor? (Luaka Bop )
9. Susan Justin - Forbidden World OST (Death Waltz)
10. Inner-City Beat: Detective Themes, Spy Music & Imaginary Thrillers (Soul Jazz)
11. Frantix – My Dad’s a Fuckin’ Alcoholic (Alternative Tentacles)
3. Old Records.
Here, for no particular reason - context maybe? - are some of the old records I’ve been diggin’ the mostest last year.
Isaac Hayes – ..To Be Continued
Richard & Linda Thompson – Pour Down Like Silver
Hound Dog Taylor – Natural Boogie
Dr Feelgood – Stupidity
Hawkwind – Space Ritual (finally got a nice copy on vinyl!)
James Brown – The Payback
Manfred Mann’s Chapter 3 – Chapter 3
Neil Young – Trans
Skullflower – Form Destroyer, IIIrd Gatekeeper & early singles
Suicide – Second Album
Junior Kimbrough – God Knows I Tried
Roky Erickson – All That May Do My Rhyme
Dillard & Clark – The Fantastic Expedition of…
Canned Heat – Boogie With…
Fushitsusha – Live / untitled
Johnny Kidd & The Pirates – collected singles
Bo Diddley - Have Guitar Will Travel
Miles Davis – On The Corner
Atomic Rooster – Death Walks Behind You
Acid Mothers Temple – Mantra of Love
Motorhead – Motorhead b/w City Kids 7”
The Bevis Frond – Miasma
So, that’s it – END. 2014 is ovah! Look out for more scintillating, red hot coverage of 2015’s verdant musical marshland here whenever I can be bothered.
Labels: best of 2014, Bong, Jack Oblivian, live reviews, Natural Child, Pointless Lists Week, Shonen Knife
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