I wish the ape a lot of success.
Stereo Sisterhood / Blog Graveyard:
- After The Sabbath (R.I.P?) ; All Ages ; Another Nickel (R.I.P.) ; Bachelor ; BangtheBore ; Beard (R.I.P.) ; Beyond The Implode (R.I.P.) ; Black Editions ; Black Time ; Blue Moment ; Bull ; Cocaine & Rhinestones ; Dancing ; DCB (R.I.P.) ; Did Not Chart ; Diskant (R.I.P.) ; DIYSFL ; Dreaming (R.I.P.?) ; Dusted in Exile ; Echoes & Dust ; Every GBV LP ; Flux ; Free ; Freq ; F-in' Record Reviews ; Garage Hangover ; Gramophone ; Grant ; Head Heritage ; Heathen Disco/Doug Mosurock ; Jonathan ; KBD ; Kulkarni ; Landline/Jay Babcock ; Lexicon Devil ; Lost Prom (R.I.P.?) ; LPCoverLover ; Midnight Mines ; Musique Machine ; Mutant Sounds (R.I.P.?) ; Nick Thunk :( ; Norman ; Peel ; Perfect Sound Forever ; Quietus ; Science ; Teleport City ; Terminal Escape ; Terrascope ; Tome ; Transistors ; Ubu ; Upset ; Vibes ; WFMU (R.I.P.) ; XRRF (occasionally resurrected). [If you know of any good rock-write still online, pls let me know.]
Other Place. // One Band. // Another Band. // Spooky Sounds. // MIXES. // Thanks for reading.
Monday, April 25, 2011
Two Tears – Eat People 7”
(Kind Turkey)
Not something I had anticipated finding on my metaphorical desk, but that I’m glad to have received nonetheless, here’s three tracks from Kerry Davis, ex of Red Aunts, working in a primarily solo/homemade capacity.
Red Aunts were always one of the more garage-trash-punk affiliated riot grrl bands (or one of the more riot grrl-affiliated garage-trash-punk bands, if you prefer), and the more low-key Two Tears material initially seems to follow suit, Davis growling through “Eat People”, with all the Mr. Airplaneman-ish raunch you’d expect.
“Heisse Hex” and “Senso Unico” though are both persuasively mechanical, distantly Fall-like songs, the foreign language titles barked and twisted as if they were private language glossolia or magical incantations between whispered threats and complaints. The former in particular is great, chugging away like nobody’s business, a brilliantly sinister coda/end section and call-and-response chorus ringing like some cross between Mark E. Smith and Petra Černocká’s spell-casting in Saxana.
This is distinctive, quietly bad-ass music that raises the spectre of Mo Tucker’s ultra-primitive “Playin’ Possum”, filtered through the PJ’s 4 track demos, and probably every other contrived example I can pull from my itunes of a cool rock lady bludgeoning us with menacing self-sufficiency. Recommended!
http://www.myspace.com/thetwotears
http://www.kindturkeyrecords.com
Labels: singles reviews, Two Tears
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